GATTON, Matt. "First Light: Inside the Palaeolithic camera obscura" in Acts of Seeing: Artists, Scientists and the History of the Visual -- a volume dedicated to Martin Kemp (Assimina Kaniari and Marina Wallace, eds.). London: Zidane, 2009.
GATTON, Matt; CARREON, Leah; CAWEIN, Madison; BROCK, Walter; and SCOTT, Valerie. "The Camera Obscura and the Origin of Art: The case for image projection in the Paleolithic" in the Official Proceedings of the XV World Congress of the Union Internationale des Sciences Préhistoriques et Protohistoriques (UISPP) 35, Global State of the Art--SO7 (Giriraj Kumar and Robert Bednarik, eds.) BAR S2108. Oxford: Archaeopress, 2010.
GATTON, Matt. "Paleo-camera and the Concept of Representation" in Pleistocene Coalition News, Vol. 2: Issue 3 (John Feliks, ed.) May-June, 2010.
GATTON, Matt. "Paleo-camera, Phase II: Projected images in art and ritual (or why European Upper Paleolithic art looks the way it does)" in Pleistocene Coalition News, Vol. 2: Issue 4 (John Feliks, ed.) July-August, 2010.
GATTON, Matt. "The Camera and the Cave: Understanding the style of Paleolithic art" in Pleistocene Coalition News, Vol. 2: Issue 5 (John Feliks, ed.) September-October, 2010.
GATTON, Matt; and CARREON, Leah. "Probability and the Origin of Art: Simulations of the Paleo-camera Theory" in APLIMAT, Journal of Applied Mathematics, Volume 4 (2011).
GATTON, Matt. "Competition, Categorization, and Collaboration: A complete survey of origin-of-art theories" (in-process).
GATTON, Matt. the (w)hole story: projected-light images and the development of human culture (in-process).